The Criterion Collection
Essays
Mar 25, 2025 — Set in a grimy, unglamorous version of Los Angeles, Arthur Penn’s Watergate-era neonoir tells the story of an honorable private eye acutely conscious of living in an era that is the mere shadow of a nobler past.
The Daily
Mar 19, 2025 — The festival’s twenty-fifth edition offers a five-day binge of midnight movies.
The Daily
Mar 17, 2025 — Headlining this month’s roundup are Joan Didion, Merle Oberon, and Charlie Chaplin.
Features
Mar 13, 2025 — While a film’s stars are forced to bear the responsibility of moving a narrative forward, supporting actors get to have fun providing comic relief or suggesting whole lives being lived beyond the screen.
The Daily
Feb 26, 2025 — This month brings deep dives into the work of Ken Loach and Radu Jude as well as new books on Isabelle Huppert, Holly Woodlawn, and more.
Feb 25, 2025 — Misunderstood on release and mishandled by its distributor, this genuine cult classic opened the door to a radical new way of making films.
The Daily
Feb 24, 2025 — Todd Haynes’s jury gives the Berlinale’s top awards to films by Dag Johan Haugerud, Gabriel Mascaro, Iván Fund, Huo Meng, and Radu Jude.
The Daily
Feb 21, 2025 — The pioneer of African cinema carried “the inventive temperament of a dreamer armed with a firm political orientation.”
Feb 19, 2025 — Gus Van Sant’s lyrical exploration of addiction and faith—adapted from an autobiographical novel by James Fogle—influenced cinematic drug depictions throughout the nineties and helped to initiate a wave of American independent filmmaking.
The Daily
Feb 19, 2025 — Richard Linklater and Ethan Hawke reteam to prove once again that few can make talk livelier or more engaging.