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The Way

Jul 1, 2026 BAM’s thirteen-film series dips into chapters of American history that tend to get overlooked on Fourth of July weekends.

Jun 30, 2026 The distinction between social and political cinema is not always clear. The former category, which focuses on realistic portrayals of the everyday lives and struggles of the working class, generally includes the films of Italian neorealism and British social realism,...

Jun 15, 2026 L’Alliance New York celebrates a mischievously fruitful collaboration with a six-film series.

Jun 5, 2026 Despite what is often assumed about the history of trans representation in cinema, it is not a simple story of marginalization and stigmatization. In their 2024 book Corpses, Fools, and Monsters: The History and Future of Transness in Cinema, critics...

Jun 3, 2026 This year’s lineup features lots of music, another De Niro and Scorsese reunion, and an AI-generated feature.

May 28, 2026 Film at Lincoln Center and Cinecittà present two series back to back, Open Roads: New Italian Cinema and History, Italian Style.

May 27, 2026 When Joachim Trier made his debut in 2006 with the film Reprise, I felt as if a veil had been lifted. There was nothing wrong with Norwegian cinema before Trier’s arrival, but it always seemed to be about someone else,...

May 26, 2026 Top prizes go to films by Cristian Mungiu, Andrey Zvyagintsev, Valeska Grisebach, Paweł Pawlikowski, and Los Javis.

May 15, 2026 This week: Super 8 films by Teo Hernández, a new feature from Patrick Wang, and a revival of Aloïse (1975), starring Isabelle Huppert and Delphine Seyrig.

Cannes Openers

The Daily

May 14, 2026 Jane Schoenbrun’s third feature is met with raves, while three other early entries are seeing mixed reviews.

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