The Criterion Collection
Features
Dec 30, 2019 — We asked some of our friends if they had underappreciated films from the past decade that they wanted to champion. Here’s what they chose.
Essays
Dec 12, 2019 — Almost from the moment it arrived on screens in early 2006, Kelly Reichardt’s Old Joy was celebrated as a new milestone for American cinema, even an expression of independent filmmaking’s delayed arrival at maturity. In relating its deceptively simple tale...
Dec 11, 2019 — One Scene “Who can prove the genuineness of our feelings?” a character asks at one point in the Cannes-award-winning sci-fi drama Little Joe, the first English-language film by Austrian director Jessica Hausner. The question is as good a summation as...
Dec 10, 2019 — Wim Wenders has often referred to his Until the End of the World (1991) as the “ultimate road movie,” and even he may not realize how accurate that description has turned out to be. It certainly was, and remains, the...
Sneak Peeks
Dec 3, 2019 — A widely beloved Hollywood classic, All About Eve is justly famous for its impossibly witty dialogue, its dramatic twists and turns, and its note-perfect cast, led by Bette Davis as an imperious Broadway star, and Anne Baxter as a young...
On the Channel
Dec 1, 2019 — This week, we’re giving a lot of thanks for Bette Davis. Two of the films that defined her extraordinary career—the rapturous woman’s picture Now, Voyager and the peerless drama of backstage backstabbing All About Eve—entered the collection on Tuesday. And...
On the Channel
Nov 27, 2019 — Check out what’s in store next month on our streaming service!
The Daily
Nov 18, 2019 — A new restoration of the novelist and critic’s debut feature opens in New York on Friday.
Visual Analysis
Nov 17, 2019 — Under the Influence As an aspiring filmmaker in the early nineties, Ira Sachs first sat down to watch Chantal Akerman’s 1975 feature debut, Je tu il elle, about an adrift young woman (played by the director herself) grasping for human connection. At the...
Features
Nov 15, 2019 — It’s a strange feeling: adoring cinema while at the same time always sensing that it’s not made for you. This is how I felt growing up, at least. I came of age watching movies, crushing on them so hard that...