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The Brazilwood Man

Feb 18, 2015 Don’t Look Now is many things: terrifying, poignant, mysterious, sexy, tragic. That all these disparate qualities are woven together so seamlessly is partly a miracle of cutting, so one must give proper credit to the film’s editor, Graeme Clifford. In...

Elms: A Cine-Essay

Sneak Peeks

Jan 27, 2015 Guy Maddin’s current filmmaking partner, the also Winnipeg-based Evan Johnson (with whom Maddin directed his upcoming feature, The Forbidden Room), created four original short “cine-essays” as supplements for Criterion’s release of Maddin’s My Winnipeg. Below is one of them, titled...

Jan 22, 2015 Repertory PicksOf all the colorful characters in Robert Altman’s Nashville, the funniest and perhaps most maddening is Opal, the British reporter who claims to be covering the country music capital for the BBC and who always seems to be where...

Dec 18, 2014 Becoming Dorothy Michaels in Tootsie was as much a revelation for Dustin Hoffman as for his character, Michael Dorsey. In this short excerpt from a much longer interview on our new release of Sydney Pollack’s great comedy, the Oscar winner...

Dec 15, 2014 Earlier this year, actor Julianne Moore and director Todd Haynes sat down to have an in-depth conversation for a supplement on our new release of their brilliant 1995 film Safe. Here is moment from their chat that is appearing only...

Dec 10, 2014 Social satire, women’s melodrama, queer metaphor, or horror movie? Todd Haynes’s elusive masterpiece is all of these and none of them.

Dec 5, 2014 A film about garlic? Only Les Blank could pull it off. In this clip from a new supplement on our release Les Blank: Always for Pleasure, we get the story of how Blank’s pungent documentary Garlic Is as Good as...

Dec 5, 2014 Earlier this week, we had a party for the release of our new book, Criterion Designs, at the Society of Illustrators in New York. Our friend the filmmaker :: kogonada brought the following video, in which Criterion artwork comes to...

Dec 3, 2014 “We were just in London, clubbing, all those things people did in the ’60s in the middle of London,” British actor Francesca Annis recalls, in an interview on the new Criterion release of Macbeth, of “crossing paths” with director Roman...

Nov 26, 2014 The famous Franky & Johnny’s is just one of many places in New Orleans you can get crawfish, a city specialty. But it’s the only one that Les Blank turned to when he was making Always for Pleasure, his invigorating...

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