The Criterion Collection
Essays
Jan 11, 1994 — A harrowing nightmare about life in inner-city hell, this 1993 sleeper-hit is a powerhouse filmmaking debut by the Hughes brothers.
The Daily
Sep 4, 2026 — Celebrating “reticent auteurs,” a unique London distributor, and the work of Satyajit Ray and Richard Linklater.
The Daily
Jun 5, 2026 — A series of films Malle made in the U.S. opens with an excellent documentary on the director’s life and work.
May 26, 2026 — Women’s hands dance over typewriter keys. The percussive racket they make, like the tapping of an unruly chorus line, takes the place of music during the opening credits of The Office Wife (1930), which appear over a montage of female...
Essays
May 26, 2026 — Of all the performing arts, stand-up comedy may be the most ephemeral, even more so if the humor is considered dangerous or taboo. Stand-up relies on the charged dynamic between a comedian and an audience, with both sides often bringing...
May 8, 2026 — Jean Rouch said they created “a new cinematographic language,” and a retrospective touring North America begins in Toronto.
Apr 28, 2026 — In April 1992, John Singleton was en route to the set of his second film when he heard the verdict on the radio. A predominantly white jury had acquitted four police officers who, a year earlier, had been caught on...
The Daily
Mar 20, 2026 — This week: Thierry Frémaux on the Lumière brothers, Lynne Littman and Jane Alexander on Testament, and Christian Petzold on Hitchcock.
The Daily
Feb 26, 2026 — This year’s program features a new restoration of a Martin and Lewis comedy in Technicolor and 3D.
Jan 20, 2026 — A smash hit at the box office, this electrifying adventure film established the team of director Michael Curtiz and actors Errol Flynn and Olivia de Havilland as one of the most iconic creative partnerships in Hollywood.