The Criterion Collection
Sneak Peeks
Jul 25, 2012 — The erudite, drawing-room milieu of Whit Stillman’s Metropolitan is worlds away from the virile, anything-goes atmospheres of the independent horror movies made by Troma Films. Yet the two came together, ever so briefly, when Stillman cast his friend the colorful...
In Theaters
Jul 19, 2012 — Repertory PicksThe programmers of St. Louis’s fourth annual Classic French Film Festival series, copresented by Cinema St. Louis and the Webster University Film Series, have veered a bit from the usual path by including Chris Marker’s idiosyncratic travelogue Sans soleil...
Features
Jul 19, 2012 — I want to start with my favorite story about Carole Lombard. She began her career in Hollywood in her teens and, as we know, was very attractive. She found herself hounded by the wolves of Tinseltown but came up with...
Production Notes
Jul 18, 2012 — John Lurie reminisces about making Down by Law and Fishing with John.
Essays
Jul 17, 2012 — Down by Law, released in 1986, was Jim Jarmusch’s third movie. Unlike its predecessors, Permanent Vacation (1980) and Stranger Than Paradise (1984), it did not take off from a semi-documentary view of downtown Manhattan. It was shot entirely on location...
Short Takes
Jun 27, 2012 — The writer and director Nora Ephron, who died yesterday at age seventy-one, was an icon in an industry dominated by men. Earlier this year, for the Criterion release of Lena Dunham’s Tiny Furniture, Ephron and Dunham sat down for a...
In Theaters
Jun 21, 2012 — Austin film programmer Jesse Trussell tells us about what goes into curating this long-running series.
Jun 21, 2012 — The following interview with actor Ruth Gordon originally appeared in the April 4, 1971, edition of the New York Times. “Have ya gotta angle for the story?” The accent—part New England hayseed, part Dead-End Kid—is unmistakable. It belongs to Ruth...
Visual Analysis
Jun 21, 2012 — Chris Marker’s La Jetée is the kind of film that haunts the brain. This quality is attributable not only to its unforgettable postapocalyptic imagery but also to its soundscapes, as spare as they are ravishing and mysterious. In this new...
Short Takes
Jun 20, 2012 — I have John Schlesinger to thank for my role in Harold and Maude. I’d been in Sunday Bloody Sunday for John. He had given Hal Ashby my name to look up when Hal was interviewing all the famous English dames...