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The Hindenburg

Jul 25, 2012 The erudite, drawing-room milieu of Whit Stillman’s Metropolitan is worlds away from the virile, anything-goes atmospheres of the independent horror movies made by Troma Films. Yet the two came together, ever so briefly, when Stillman cast his friend the colorful...

Road Marker

In Theaters

Jul 19, 2012 Repertory PicksThe programmers of St. Louis’s fourth annual Classic French Film Festival series, copresented by Cinema St. Louis and the Webster University Film Series, have veered a bit from the usual path by including Chris Marker’s idiosyncratic travelogue Sans soleil...

Jul 19, 2012 I want to start with my favorite story about Carole Lombard. She began her career in Hollywood in her teens and, as we know, was very attractive. She found herself hounded by the wolves of Tinseltown but came up with...

Talking with John

Production Notes

Jul 18, 2012 John Lurie reminisces about making Down by Law and Fishing with John.

Jul 17, 2012 Down by Law, released in 1986, was Jim Jarmusch’s third movie. Unlike its predecessors, Permanent Vacation (1980) and Stranger Than Paradise (1984), it did not take off from a semi-documentary view of downtown Manhattan. It was shot entirely on location...

Nora Ephron

Short Takes

Jun 27, 2012 The writer and director Nora Ephron, who died yesterday at age seventy-one, was an icon in an industry dominated by men. Earlier this year, for the Criterion release of Lena Dunham’s Tiny Furniture, Ephron and Dunham sat down for a...

Jun 21, 2012 Austin film programmer Jesse Trussell tells us about what goes into curating this long-running series.

Jun 21, 2012 The following interview with actor Ruth Gordon originally appeared in the April 4, 1971, edition of the New York Times. “Have ya gotta angle for the story?” The accent—part New England hayseed, part Dead-End Kid—is unmistakable. It belongs to Ruth...

Listening to La Jetée

Visual Analysis

Jun 21, 2012 Chris Marker’s La Jetée is the kind of film that haunts the brain. This quality is attributable not only to its unforgettable postapocalyptic imagery but also to its soundscapes, as spare as they are ravishing and mysterious. In this new...

Jun 20, 2012 I have John Schlesinger to thank for my role in Harold and Maude. I’d been in Sunday Bloody Sunday for John. He had given Hal Ashby my name to look up when Hal was interviewing all the famous English dames...

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