For our new release of Shoah, director Claude Lanzmann sat down with critic Serge Toubiana to talk about his philosophy and approach in making the formidable investigation into the Nazi extermination of Jews during World War II. One of the ideas he touches on in this wide-ranging discussion, as seen in the excerpt below, is his insistence that the nine-hour film contain no archival footage.
Why Swing Time Is the Greatest of All Dance Films
In this excerpt from an interview on our new edition of the Astaire-Rogers classic, dance critic Brian Seibert explains how beautifully and cleverly the film integrates dance into the structure of a romantic-comedy plot.
A Moody Meditation from the Set of Blue Velvet
In a rarely seen documentary about David Lynch’s 1986 masterpiece, the director and his star, Isabella Rossellini, give their candid impressions about the creative journey they’ve embarked on together.