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The Woman Who Left

Nov 19, 2024 William Wyler’s adaptation of the Broadway musical celebrates the indomitability of vaudeville legend Fanny Brice, embodied by Barbra Streisand in an incandescent and remarkably vulnerable performance.

May 1, 2024 Films by Horace Ové, Menelik Shabazz, John Akomfrah, Isaac Julien, and more depict Black lives in a tumultuous era.

Feb 16, 2024 This week brings fresh writing on Edward Yang and David Cronenberg, a talk with Wim Wenders, and a bundle of lists.

Written in Neon

The Daily

Jan 19, 2024 We’ve been reading about Francis Ford Coppola, James Baldwin, Chantal Akerman, and Cary Grant and Randolph Scott’s barely kept secret.

Jun 20, 2023 Two young San Francisco residents navigate the potential for romance and their opposing views on race in Barry Jenkins’s moving debut feature.

May 25, 2023 One of the first hit movies made by an Asian American team, They Call Me Bruce confronts everyday racism with irreverent humor emblematic of its era.

Nov 2, 2022 The director of Samson and Delilah and Sweet Country discusses his formative artistic encounters, his eclectic professional background, and on-screen Indigenous representation.

May 20, 2022 Critics take a first look at new films from James Gray, Felix van Groeningen and Charlotte Vandermeersch, Mia Hansen-Løve, Saela Davis and Anna Rose Holmer, and Pietro Marcello.

May 10, 2022 Joseph Losey’s sumptuous portrait of Nazi-occupied Paris sees an icy Alain Delon as an art dealer on a Kafkaesque quest for identity.

May 28, 2020 One of Fassbinder’s most beloved and abused performers, Hermann broke away and relaunched a lauded career.

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