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Jan 4, 2018 Even as we look ahead to the films we’re hoping to see this year, there’s still some 2017 sorting to do. And let’s begin with Farran Smith Nehme’s refreshing list of some of the older films she caught last year....

Feb 25, 2018 “James Baldwin and Karl Marx—the subjects of my two most recent films—were my two primary teachers; each in his own way taught me how to think, how to be, how to engage,” writes Raoul Peck, director of I Am Not...

Feb 9, 2018 New York. Tonight at Light Industry, Tobi Haslett will introduce a screening in memory of the late Mark E. Smith. “Charles Atlas’s Hail the New Puritan [1986; image above] now looks like a glinting frieze from a vanished London, a...

May 18, 2017 Before turning to events happening in various cities, let’s note that the Seventh Art Stand carries on through the end of the month. It’s “a nationwide screening and discussion series presented by 50+ theaters, museums, and community centers in more...

Jul 14, 2008 Linguistic cosmopolitanism in the Babel-like world of commerce and culture is one of Jacques Tati’s several satirical targets.

Jan 14, 2025 In this digressive, intensely interior masterpiece, Jean Eustache mines the dramas of his past romances while also capturing the disillusionment of young Parisians in the aftermath of May 1968.

Apr 27, 2016 In Phoenix, Christian Petzold sets his nuanced melodrama of postwar German-Jewish identity within a starkly realist aesthetic, making newly fascinating use of his enduring interest in the tensions between the real and the artificial.

Mar 27, 2019 Certain films find a way of creeping into your brain because they invite you to explore whole new worlds that continue well beyond their final frames. These movies force you to keep looking for answers to questions posed not just...

Mar 10, 2023 Primarily known as a costume and production designer, this multitalented visionary deserves to be more widely recognized as one of the most important creative forces behind the Czechoslovak New Wave.

Jun 27, 2017 Alfred Hitchcock brings a spirit of cinematic ingenuity to a thin narrative, resulting in a flawed but fascinating film that contains one of the most virtuosic sequences in his filmography.

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