The Hindenburg

Jul 2, 2015 — Les Blank’s A Poem Is a Naked Person, in theaters courtesy of Janus Films, is a major rediscovery. Now playing at New York’s Film Forum before expanding to cities across the United States, including Salt Lake City, Los Angeles, San...

Jul 2, 2015 — Repertory PicksAmong Dustin Hoffman’s indelible cinematic creations are The Graduate’s awkward Benjamin Braddock, Midnight Cowboy’s apoplectic Ratzo Rizzo, and Rain Man’s autistic Raymond Babbit. But nothing in this chameleon’s oeuvre compares to his Dorothy Michaels, the female alter ego invented...

Jul 1, 2015 — Beautiful and strange from beginning to end, Jaromil Jireš’s Valerie and Her Week of Wonders is a film like no other. It’s fairy tale, horror movie, and coming-of-age story all at once, like Alice in Wonderland with medieval and religious...

Jun 29, 2015 — The most famous scene in Five Easy Pieces—and perhaps one of the most fondly recalled moments of all of the New American Cinema of the early seventies—is the diner confrontation between Jack Nicholson’s volatile Bobby Dupea and a strict waitress....

Jun 17, 2015 — From a shrewd adaptation by André Gregory and Wallace Shawn, Jonathan Demme fashions a visually inventive dreamscape out of an Ibsen classic.

Jun 16, 2015 — For our release of A Master Builder, Jonathan Demme’s film of André Gregory and Wallace Shawn’s Henrik Ibsen adaptation, we turned to writer and New York culture maven Fran Lebowitz, a friend of Gregory and Shawn’s, to talk to the...

May 27, 2015 — Imagine being plucked from obscurity at age nineteen to star alongside Charlie Chaplin. That’s what happened to London stage actor Claire Bloom in 1951, when she was courted for the female leading role in Chaplin’s Limelight. We recently interviewed the...

May 26, 2015 — We were saddened to learn of the passing yesterday of Mary Ellen Mark, a great, world-renowned American photographer and a wonderful friend to Criterion. In honor of her extraordinary career, we thought we‘d share an excerpt from a recent interview...

May 22, 2015 — It is one of my most strongly held critical beliefs that you should not write about films you don’t like. First, it is bad for the soul to exult in pointing out the deficiencies of the film in question. Second,...

May 21, 2015 — Repertory PicksWhen cinematographic genius Max Ophuls made his first Technicolor, CinemaScope extravaganza (also, sadly, his last, due to his death), he pulled out all the stops. Lola Montès, his ravishing biopic of the notorious nineteenth-century courtesan, is the kind of...