The Criterion Collection
When cinematographic genius Max Ophuls made his first Technicolor, CinemaScope extravaganza (also, sadly, his last, due to his death), he pulled out all the stops. Lola Montès, his ravishing biopic of the notorious nineteenth-century courtesan, is the kind of film that begs to be experienced on the big screen. Viewers at the Oklahoma City Museum of Art have the chance to do so tonight, in a special screening of the film on 35 mm.
Elem Klimov’s devastating chronicle of World War II, Come and See, is back on the big screen in a new restoration. Here’s what the critics have to say about this Soviet masterpiece.
Critics are praising the French New Wave icon’s joyous and reflective final film, which hits theaters in New York this week.
The late Iranian master takes the spotlight in a magisterial retrospective—the most comprehensive survey of his career ever mounted—opening today at New York’s IFC Center.
A new restoration of the groundbreaking vérité documentary Streetwise joins its companion piece, Tiny: the Life of Eric Blackwell, at New York’s Metrograph theater this weekend.