The Hindenburg

Oct 3, 2014 — Certain Blu-ray discs pressed at a replication facility that we used for a period in 2010 have become defective.

Sep 30, 2014 — Sundays and Cybèle—Serge Bourguignon’s searing French drama about an unorthodox relationship between a traumatized war veteran and a young girl—was not an easy film to market. Its subject matter is difficult, and the complexity of its characters’ lives and motivations...

Sep 29, 2014 — We were saddened to learn of the death of our dear friend Peter von Bagh. The seventy-one-year-old Finnish film director, historian, writer, and programmer (he cofounded the world-renowned Midnight Sun Film Festival in Sodankylä and was the artistic director of...

Sep 26, 2014 — For this week’s festival of free films on Hulu, we put French bombshell Brigitte Bardot in the spotlight. The gorgeous actor, singer, and model burst onto the scene with Roger Vadim’s scandalous 1956 romp And God Created Woman, and was...

Sep 25, 2014 — All That Jazz echoes the tropes of the classic backstage movie musical, but it’s also a groundbreaking work of cinema, thanks largely to Bob Fosse and editor Alan Heim’s avant-garde approach to editing. In this Criterion video essay, critic Matt...

Sep 16, 2014 — The following interview is from filmmaker and writer Chris Rodley’s 1997 book Lynch on Lynch. The interviews in the book were conducted by Rodley between January 1993 and December 1996. Eraserhead took five years to complete. You must have been...

Sep 11, 2014 — In this short interview, a Criterion online exclusive, the Oscar-winning actor Penélope Cruz talks about the immense inspiration she drew at a young age from the work of Pedro Almodóvar, who would later become a friend and collaborator of hers—and...

Sep 3, 2014 — In this clip from an extensive interview with Bob Fosse on The South Bank Show in March 1981, the filmmaker-choreographer recalls the idea for All That Jazz springing from one of the darkest periods of his life and discusses the...

Aug 27, 2014 — In this excerpt from a 1999 interview produced by the Directors Guild of Japan, director Shohei Imamura talks about the personal investigative approach he took to making the 1979 serial killer drama Vengeance Is Mine, for which he viewed himself...

Aug 26, 2014 — Define the Japanese New Wave however you like—there are innumerable possible launching points, and the name players in the fifties and sixties were old and young and in between—but from any juncture, Shohei Imamura was a primary figure and, at...