The Criterion Collection
Sneak Peeks
Mar 28, 2014 — By the time he made The Freshman in 1925, Harold Lloyd was already a superstar. His comedies, which combined jaw-dropping derring-do with loveable characters, were routinely among their years’ top box-office attractions. When Lloyd announced he was working on a...
Mar 24, 2014 — Rome is as exquisite as it is suffocating in Paolo Sorrentino’s profound tale of contemporary entropy.
Sneak Peeks
Mar 19, 2014 — Akira Kurosawa’s The Hidden Fortress has long been cited as an influence on George Lucas’s Star Wars. An avid fan of Kurosawa’s, Lucas would eventually work with the Japanese auteur, executive producing the international version of his 1980 Kagemusha. In...
Sneak Peeks
Mar 12, 2014 — Rarely does a director go into much detail about what he thinks doesn’t work about one of his own films, but Steven Soderbergh got candid with us in an interview about his disappointment with his 1995 film The Underneath—which he...
Visual Analysis
Dec 19, 2013 — It’s the most wonderful time of the year! But you wouldn’t know it from all of the melancholy Christmas films that have been made over the years. In this video essay, we investigate the longstanding tradition of bleak midwinters at...
Dec 16, 2013 — A melodramatic investigation of family and class, Kim Ki-young’s film exorcises some demons of 1960s South Korean society.
In Theaters
Nov 7, 2013 — Repertory PicksIf you’ve seen the films in our Eclipse set Pearls of the Czech New Wave, you surely will not have forgotten the lively and profoundly disturbing A Report on the Party and Guests. This was one of the most...
Aug 19, 2013 — This moving drama about gender, race, and class in 1960s Kolkata is a pioneering work from Satyajit Ray.
Sneak Peeks
Aug 13, 2013 — No filmmaker in history has been able to wrap an audience around his finger like Alfred Hitchcock. In honor of the Master of Suspense’s birthday (he would be 114 today), here’s a delightful clip from The Illustrated Hitchcock, a 1972...
Aug 6, 2013 — If you’ve seen Boogie Nights, There Will Be Blood, or virtually any other film directed by Paul Thomas Anderson, you know that he is enamored of ornate tracking shots. So it’s no surprise that he’s a fan of Max Ophuls,...