By the time he made The Freshman in 1925, Harold Lloyd was already a superstar. His comedies, which combined jaw-dropping derring-do with loveable characters, were routinely among their years’ top box-office attractions. When Lloyd announced he was working on a football-themed film, anticipation was particularly high, as Lloyd expert John Bengtson explains in this excerpt from his new Criterion visual essay Harold Lloyd: Big Man on Campus.
The “Very Unusual” Fashion Show at the Heart of True Stories
In this video, artist Adelle Lutz and director David Byrne discuss the weird and wonderful outfits in a particularly outrageous set piece in the film.
Behind Marilyn Monroe’s “Period-ish” Look in Some Like It Hot
A costume designer can make characters come alive. In this new interview, two historians explore how Orry-Kelly’s gowns helped Marilyn Monroe embody one of her finest roles.