Rarely does a director go into much detail about what he thinks doesn’t work about one of his own films, but Steven Soderbergh got candid with us in an interview about his disappointment with his 1995 film The Underneath—which he calls “dead on arrival.” Available as a supplement on our special edition of Soderbergh’s King of the Hill, The Underneath is a neonoir Soderbergh made between 1993’s King and 1996’s more personal experiment Schizopolis. In this excerpt from that interview, also available on the King of the Hill release, Soderbergh reveals that The Underneath came at a difficult point in his career and that his “heart wasn’t in it.”
A World-Cinema Master Gives the World One Last Look
After his father’s death in 2016, Ahmad Kiarostami helped complete the conceptually daring meditation on image-making the great Iranian director had been working on for the last five years of his life.
Euzhan Palcy Remembers Brando’s Nerves on the Set of A Dry White Season
Marlon Brando hadn’t been in a movie in almost a decade when he took on his Oscar-nominated role in A Dry White Season. The film’s director talks about the pleasures of collaborating with the legendary actor.
The “Very Unusual” Fashion Show at the Heart of True Stories
In this video, artist Adelle Lutz and director David Byrne discuss the weird and wonderful outfits in a particularly outrageous set piece in the film.