The Goalkeeper’s Fear of the Penalty

Sep 19, 2013 — In a new interview on our release of Ingmar Bergman’s Autumn Sonata, the great Liv Ullmann delves into the making of the intense chamber drama, discussing what it was like to work with both the director and the legendary Ingrid...

Sep 18, 2013 — This chapter about director Richard Linklater’s beginnings, from the 1996 book Spike, Mike, Slackers & Dykes: A Guided Tour Across a Decade of American Independent Cinema, is by the former producer’s representative, creator and host of IFC’s Split Screen, and...

Sep 13, 2013 — Edouard Molinaro’s 1978 La Cage aux Folles is not only an entertaining farce but also a landmark, for the way it opened many viewers’ eyes to both drag culture and same-sex relationships. To find out more about the film’s sexual...

Sep 13, 2013 — Did You See This?• John Bailey on game-changing movie cameras • Venice love from Claire Denis, Abbas Kiarostami, and sixty-eight others • John Le Carré takes on the world. • The tragic tale of Citizen Kane’s Dorothy Comingore • The...

Aug 23, 2013 — Did You See This?• Saying good-bye to Elmore Leonard, reverently and irreverently • Satyajit Ray, behind the scenes • Talking to Mr. Sunglasses himself, Wong Kar-wai • John Bailey remembers meeting John Ford. • Alice Guy-Blaché’s day will come. •...

May 28, 2013 — Mike Leigh’s breakthrough is a funny film about serious things, and an emotional and slyly political take on consumer culture.

May 21, 2013 — Having shot films like Norman Jewison’s In the Heat of the Night and Mike Nichols’s Who’s Afraid of Virginia Woolf? (for which he won an Oscar), Haskell Wexler had already established himself as a foremost Hollywood cinematographer by the time...

May 17, 2013 — Did You See This?• Noah Baumbach talks Frances Ha. • Richard Linklater goes back to Before. • Far from Heaven is stage-bound. • How to make an American quilt—from celluloid • New films on the horizon from Bellocchio, Greenaway, Hartley,...

Apr 25, 2013 — Repo Man comes on like a bat out of hell. The opening credits are driven by the instrumental version of Iggy Pop’s propulsive "Repo Man Theme,” a song that immediately establishes the film’s punk identity. It’s hard to imagine the...

Apr 19, 2013 — Did You See This?• Mapping out the world of Wes Anderson • Cannes 2013—and away we go! • Kurosawa, Godard, Herzog, Milius—just your average hangout • John Lurie returns to the rod and the reel. • For the love of...