Edouard Molinaro’s 1978 La Cage aux Folles is not only an entertaining farce but also a landmark, for the way it opened many viewers’ eyes to both drag culture and same-sex relationships. To find out more about the film’s sexual politics and where it belongs in the centuries-old tradition of drag performance, we talked to Laurence Senelick, a Tufts University professor and the author of The Changing Room: Sex, Drag, and Theatre, for our new special edition of La Cage. In this clip from that insightful discussion, Senelick acknowledges the movie’s somewhat controversial reputation and explains why it’s special.
Why Swing Time Is the Greatest of All Dance Films
In this excerpt from an interview on our new edition of the Astaire-Rogers classic, dance critic Brian Seibert explains how beautifully and cleverly the film integrates dance into the structure of a romantic-comedy plot.
A Moody Meditation from the Set of Blue Velvet
In a rarely seen documentary about David Lynch’s 1986 masterpiece, the director and his star, Isabella Rossellini, give their candid impressions about the creative journey they’ve embarked on together.