Having shot films like Norman Jewison’s In the Heat of the Night and Mike Nichols’s Who’s Afraid of Virginia Woolf? (for which he won an Oscar), Haskell Wexler had already established himself as a foremost Hollywood cinematographer by the time he directed Medium Cool. For this, his first feature, Wexler was both plunging into the politics of the moment and relating to audiences the strange power and excitement of looking at the world through a camera lens. In this excerpt from a new interview with Wexler included in the Criterion release, the filmmaker describes his passion for the medium itself, the origins of Medium Cool, and his own history of political activism.
Why Swing Time Is the Greatest of All Dance Films
In this excerpt from an interview on our new edition of the Astaire-Rogers classic, dance critic Brian Seibert explains how beautifully and cleverly the film integrates dance into the structure of a romantic-comedy plot.
A Moody Meditation from the Set of Blue Velvet
In a rarely seen documentary about David Lynch’s 1986 masterpiece, the director and his star, Isabella Rossellini, give their candid impressions about the creative journey they’ve embarked on together.