The Criterion Collection
Feb 28, 2014 — The Great Beauty, which is up for best foreign-language film at Sunday’s Academy Awards, feels at times like a glorious throwback to a time when art-house cinema reigned. Feeling nostalgic for that era, when films by the great directors of world...
Feb 18, 2014 — The immediacy of an ongoing war electrifies Alfred Hitchcock’s suspenseful second Hollywood feature.
Jan 31, 2014 — Did You See This?• Naked Lunch and other adaptations of the unadaptable • David Bordwell on the great critics of yore • The Hitchcock-Nabokov collaboration that never was • A pas de deux from Chantal Akerman and Pina Bausch •...
Sneak Peeks
Jan 28, 2014 — Among the delights of Aki Kaurismäki’s La vie de bohème are the guest appearances by François Truffaut alter ego Jean-Pierre Léaud and the two-fisted American auteur Samuel Fuller. The former plays an eccentric collector who takes an interest in the...
Features
Jan 27, 2014 — The author’s encounters with the great Indian filmmaker.
Short Takes
Jan 24, 2014 — Aki Kaurismäki first read Henri Murger’s Scènes de la vie de bohème in 1976. The highly influential 1851 book—an episodic novel about a group of starving artists that also inspired Puccini’s 1896 opera La bohème—captured the Finnish filmmaker’s imagination and,...
Jan 17, 2014 — Did You See This?• A Hoop Dreams oral history • Martin Scorsese and Wong Kar-wai—two legends chatting • Thelma Schoonmaker goes long. • A comic turn from J. Hoberman • The total Jerry Lewis • A lost Fassbinder–Schlöndorff collaboration resurfaces....
Essays
Jan 14, 2014 — Jules Dassin’s atmospheric, genre-defining heist thriller combines American virtuosity with French cool.
Sneak Peeks
Jan 10, 2014 — It’s impossible to watch the unforgettable climax of Akira Kurosawa’s Throne of Blood and not wonder, How’d they do that? Spoilers ahead: In the scene, Toshiro Mifune’s ruthless warrior, modeled on Shakespeare’s Macbeth, finally gets his comeuppance in the form...
Film Guides
Jan 6, 2014 — Critics commonly describe Throne of Blood (1957) as Akira Kurosawa’s adaptation of Macbeth. While this description is certainly not untrue, the film is much more than a direct cinematic translation of a literary text. Kurosawa’s movie is a brilliant synthesis...