It’s impossible to watch the unforgettable climax of Akira Kurosawa’s Throne of Blood and not wonder, How’d they do that? Spoilers ahead: In the scene, Toshiro Mifune’s ruthless warrior, modeled on Shakespeare’s Macbeth, finally gets his comeuppance in the form of a shower of arrows. Some narrowly miss him, others, well, do not. To get some insight into how Kurosawa, his crew, and, of course, Mifune, accomplished this, check out this short clip from a supplement on our new edition of the film, taken from the Toho Masterworks series Akira Kurosawa: It Is Wonderful to Create. In it, the film’s set decorator and prop master Koichi Hamamura fills us in some of the tricks of the trade (yes, those were real arrows), as well as the suitably terrified star’s response to having acted out this ambitious, violent denouement.
A Hidden Figure of the Czechoslovak New Wave Takes the Spotlight
In this excerpt from an interview on the edition of Diamonds of the Night, film programmer Irena Kovarova talks about the work of one of director Jan Němec’s key collaborators, Ester Krumbachová.
Robert Zemeckis Looks Back on His Debut-Film Jitters
In a new conversation with collaborators Bob Gale and Steven Spielberg, the director of I Wanna Hold Your Hand talks about the terror of being a first-time feature director.
How Carlos Reygadas Plans for the Unexpected
Storyboards have been an important part of the Mexican filmmaker’s process from the beginning of his career. In this interview, he talks about the freedom that meticulous pre-planning allows him on-set.