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Queer World

Jun 16, 2026 The debut in 1998 of Lisa Cholodenko’s first feature film, High Art, was a triumph. The intense mastery of its form and the freshness of its narrative created waves of excitement—from the Sundance Film Festival, where it won the Waldo...

Shifting POVs

The Daily

Jun 5, 2026 We’re wrapping the week with conversations with Lilly Wachowski, Shunji Iwai, and Tsui Hark as well as essays on Ozu and Ghatak.

Jun 5, 2026 Despite what is often assumed about the history of trans representation in cinema, it is not a simple story of marginalization and stigmatization. In their 2024 book Corpses, Fools, and Monsters: The History and Future of Transness in Cinema, critics...

Better Parts

The Daily

May 22, 2026 This week brings a look back at Cronenberg’s Crash and conversations with Boots Riley and Wallace Shawn.

May 19, 2026 Elevator doors open onto a warehouse floor bathed in red light, high above downtown Manhattan in early May 2024. Exposed concrete and visible ductwork frame a room where artists in green aprons, cosplaying as waiters, circulate among guests in suits...

May 18, 2026 Critics are taking to Paweł Pawlikowski’s Fatherland, Radu Jude’s The Diary of a Chambermaid, and Jordan Firstman’s Club Kid.

May 12, 2026 Sorting through critics’ most-anticipated titles, catching up with interviews and profiles, and more.

Apr 30, 2026 The festival presents new work by Isabel Sandoval, Kogonada, Ildikó Enyedi, and more.

Apr 22, 2026 “The wig has a name. The wig’s name is Pam.”I was not even a little surprised to hear that Dallas-born filmmaker Ja’Tovia Gary had given a name to the bouncy brown bob she wears in her film The Giverny Document...

Apr 15, 2026 The festival presents winners of top prizes in Rotterdam and Locarno as well as highlights from Cannes and Berlin.

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