The Criterion Collection
The Daily
Nov 26, 2025 — This short week brings writing on Wong Kar Wai’s first series and Kubrick’s and Pasolini’s last features.
The Daily
Nov 24, 2025 — This month brings new collections from Melissa Anderson and A. S. Hamrah and a whole shelf of lives lived with the movies.
Nov 12, 2025 — In this Sundance-award-winning exploration of war and memory, writer Cathy Linh Che shines a spotlight on her parents, who were Vietnamese refugees living in the Philippines when they were cast as extras in Apocalypse Now.
Oct 28, 2025 — The first of Arturo Ripstein’s films to receive wider international acclaim, this blood-soaked, surrealist vision of amour fou harks back to the director’s roots as an admirer and protégé of Luis Buñuel.
The Daily
Oct 20, 2025 — The Mexican director’s oeuvre, spanning half a century, is undeniably dark but also deeply humane.
On the Channel
Oct 16, 2025 — This month, join us for a Thanksgiving feast of some of the movies’ most memorable family reunions, or delve into the dark alleyways of noir mysteries built around protagonists tormented by amnesia, memory holes, and drunken blackouts.
Oct 2, 2025 — In Wes Anderson’s romantic ode to journalism, the director grapples with the danger and horror inherent in any field of endeavor worth pursuing.
Features
Sep 25, 2025 — To celebrate Robert Altman’s centennial, we invited five writers—Howard Hampton, Bruce LaBruce, Violet Lucca, Christina Newland, and Carlos Valladares—to each explore a favorite lesser-known gem from the great director’s filmography.
Sep 16, 2025 — In response to the suffocating conservatism of the eighties, Lizzie Borden crafted a pluralistic vision of a feminist front that neither ignores difference nor lets it stand as an immovable obstacle to political solidarity.
The Daily
Sep 9, 2025 — Paul Mescal and Jessie Buckley enthrall critics with their portrayals of parents mourning the loss of a child.