The Criterion Collection
Nov 7, 2017 — A haughty socialite is torn between the affections of three men in George Cukor’s blissful comedy of manners.
Mar 13, 2013 — The slimiest movie monster of them all is part of—and perfects—a great tradition of unstoppable outer-space invaders.
Jan 16, 2013 — Both sparkling and suspenseful, Alfred Hitchcock’s benchmark thriller is the perfect getaway, and it set the scene for much of the master’s later work.
Aug 11, 2008 — Every Guy Maddin movie creates the illusion of a secret history. His willfully primitive cut-rate spectacles seem like artifacts, reanimated bits of cultural detritus, but also like hauntings, the return of the cinematic repressed. From the start, Maddin’s sensibility was...
The Daily
Oct 1, 2025 — With two films set to open next month, Richard Linklater programs a series of French New Wave classics.
The Daily
Nov 17, 2023 — Todd Haynes and Tilda Swinton take questions, and Guy Maddin fibs every now and then.
May 25, 2023 — One of the first hit movies made by an Asian American team, They Call Me Bruce confronts everyday racism with irreverent humor emblematic of its era.
Feb 17, 2022 — Here’s a sampling of early critical response to this year’s winners.
Nov 17, 2020 — Along with Dead Man (1995), his previous narrative feature, Ghost Dog: The Way of the Samurai marks a quantum leap in the Jim Jarmusch universe—a discovery of history (both antiquity and tradition) that carries with it a sense of gravity and even tragedy...
May 22, 2020 — The Times of Harvey Milk Today—May 22, 2020—would have been Harvey Milk’s ninetieth birthday. Harvey was forty-five when I first met him in his camera store; I was nineteen. Harvey was murdered when he was just forty-eight, and I’m now...