Jan 19, 2017 Rainer Werner Fassbinder plays a working-class gay man hoodwinked by his uppity bourgeois lover in this unsparing portrait of queer culture in 1970s West Germany.

The Call of the Wild

On the Channel

Jan 1, 2017 The Korda brothers’ voluptuous fantasy Jungle Book—directed by Zoltán, produced by Alexander, and art-directed by Vincent—captures that mood-swinging moment in late childhood when the adult world seems to be unbearably corrupt and nothing could be more exhilarating than escaping to...

Dec 21, 2016 Under the InfluenceEarlier this month, director Mike Mills paid a visit to New York in support of his third narrative feature, 20th Century Women, a deeply personal coming-of-age tale about a teenage boy growing up in Carter-era Southern California with...

Dec 16, 2016 Did You See This? To commemorate the fiftieth anniversary of Michelangelo Antonioni’s Blow-Up, Adam Scovell visited the film’s unforgettable London locations. Another masterpiece made half a century ago is Ousmane Sembène’s Black Girl, a scathing critique of racism anchored by...

Nov 25, 2016 In his deeply personal third feature, Noah Baumbach charts a family’s dissolution against the backdrop of 1980s literary Brooklyn.

Nov 22, 2016 The result of a notoriously troubled production, Marlon Brando’s unorthodox western presents a brooding vision of human futility.

Nov 18, 2016 Artists across all mediums have long been obsessed with the challenge of evoking dream states, but film—with its oneiric combinations of light and shadow, and its ability to manipulate time and space—has particularly uncanny access to our nighttime reveries. Whether...

Nov 15, 2016 Akira Kurosawa lays bare his deepest fears in this visually astonishing interpretation of folklore, myth, and the director’s own dreams and memories.

Nov 2, 2016 The morning after opening his first theater in Brooklyn, Alamo Drafthouse cofounder stopped by Criterion to chat about his life as a collector

Oct 4, 2016 This account of a visit to the Beyond the Valley of the Dolls set is excerpted from an issue of the University of California, Los Angeles, newspaper.

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