The Criterion Collection
The Daily
Sep 13, 2023 — Early reviewers find that, while the master of animation’s twelfth feature may be hard to follow, it’s impossible to resist.
Essays
Feb 18, 2020 — In what was no doubt an appeal to subtitle-averse audiences, advertisements for the U.S. release of Teorema (1968) trumpeted, “There are only 923 words spoken in Teorema—but it says everything!” A meager few of those utterances are expended in an...
Jun 21, 2012 — The following interview with actor Ruth Gordon originally appeared in the April 4, 1971, edition of the New York Times. “Have ya gotta angle for the story?” The accent—part New England hayseed, part Dead-End Kid—is unmistakable. It belongs to Ruth...
Interviews
Aug 28, 2012 — The boy Quadrophenia’s Jimmy was based on (or was he?) talks to us about the mod life.
The Daily
Jan 18, 2022 — MoMA’s festival of film preservation presents Beat poets, crown jewels, a lonely Hungarian, and a Senegalese bad boy.
Feb 25, 2014 — A testament to Steven Soderbergh’s versatility, this story of a boy growing up during the Great Depression is a tender but tough-minded look at a child’s inner world.
Aug 21, 2012 — Andrew Haigh’s boy-meets-boy story reminds us that the biggest pleasures of falling in love come from the little moments of connection.
Oct 15, 2050 — Voice-over narration has existed since the beginnings of cinema and has been an integral part of some of the great masterworks of narrative film, from The Magnificent Ambersons to Double Indemnity to Jules and Jim to Taxi Driver. It spans...
Mar 10, 2003 — The Swedish director of I Am Curious explains how he fused the themes of eroticism, self-exploration, voyeurism, and nonviolence into a film about the new freedoms of the young. QUESTION: I Am Curious seemed to be a cinematic Tristram Shandy,...
Mar 27, 2006 — Louis Malle’s coming-of-age drama offers an unusually full and individualized characterization of a boy whose yearnings, sensitivities, and fantasies outstrip his personality.