A Misappropriated Turkey

Jul 30, 2013 — Guillermo del Toro’s ghostly fable beautifully reflects the director’s fascination with the personal and the political.

Jul 30, 2013 — A caption for the video could go here and be however long it needed to be, within reason, of course.

Jul 29, 2013 — Guillermo del Toro’s historical thriller and supernatural horror film The Devil’s Backbone is clearly the work of a film artist with an immense imagination. But according to the writer-director, it was also inspired by a real-life experience that haunts him...

Jul 26, 2013 — Did You See This?• On his birthday, a few of Staney Kubrick’s favorite things . . .• . . . plus one more • Bon voyage, Bernadette Lafont• RIP Dennis Farina• Martin Scorsese on cinema and the mind’s eye• Life...

Jul 25, 2013 — The look of the dazzlingly evocative The Ice Storm is in large part the work of production designer extraordinaire Mark Friedberg (Far from Heaven, The Life Aquatic with Steve Zissou). In an illustrated audio interview on release of Ang Lee’s...

Jul 23, 2013 — Asked by French journalists in a 2001 interview what recent films he most admired, Brian De Palma named Ang Lee’s 1997 The Ice Storm. It was surprising to hear one of the leaders of a filmmaking revolution that aimed at...

Jul 23, 2013 — The Oscar-winning Babette’s Feast has a cinematic flavor unlike any other film. Director Gabriel Axel invites viewers to swoon over the sensual and spiritual experience of the climactic meal as if they were eating it themselves. By the end of...

Jul 22, 2013 — Gabriel Axel’s exquisite adaptation of Isak Dinesen’s short tale of grace through art provides spiritual and sensual sustenance.

Jul 18, 2013 — Repertory PicksThe Harvard Film Archive in Cambridge, Massachusetts, is currently celebrating one of the finest of all Hollywood actors with the retrospective A Burt Lancaster Centennial Tribute. This Saturday, July 20, you can catch an early breakout performance of Lancaster’s...

Jul 16, 2013 — Theater legend Peter Brook’s approach to bringing the classic fable about human savagery to the screen was radical in its straightforwardness.