Tess is surely among the most beautiful films that Roman Polanski has made. The director, shooting in the French countryside in Normandy and Brittany, traded the intentionally claustrophobic aesthetic of so many of his films (Repulsion, Rosemary’s Baby) for an expansive, widescreen visual sense, giving this detailed version of Thomas Hardy’s classic book Tess of the d’Urbervilles the feel of a true movie epic. The director was assisted in visualizing Tess by a duo of incredible cinematographers: Geoffrey Unsworth (2001: A Space Odyssey), who died during shooting, and Ghislain Cloquet (Au hasard Balthazar), who replaced him. The two would end up sharing an Oscar for their work on Tess. Watch a beautifully shot scene from the film below, in which the peasant girl Tess (Nastassja Kinski, in her first major role) resists the charms of the nobleman Alec d'Urberville (Leigh Lawson).
A Hidden Figure of the Czechoslovak New Wave Takes the Spotlight
In this excerpt from an interview on the edition of Diamonds of the Night, film programmer Irena Kovarova talks about the work of one of director Jan Němec’s key collaborators, Ester Krumbachová.
Robert Zemeckis Looks Back on His Debut-Film Jitters
In a new conversation with collaborators Bob Gale and Steven Spielberg, the director of I Wanna Hold Your Hand talks about the terror of being a first-time feature director.
How Carlos Reygadas Plans for the Unexpected
Storyboards have been an important part of the Mexican filmmaker’s process from the beginning of his career. In this interview, he talks about the freedom that meticulous pre-planning allows him on-set.