The Criterion Collection
The Daily
Jan 13, 2023 — This week’s eclectic round touches on experimental milestones, restorations, Mexican cinema, a Japanese series, and movies about movies.
In Theaters
Aug 16, 2018 — The Cleveland Museum of Art salutes the late Italian master Ermanno Olmi with a screening of Il posto, a touching and wisely funny look at the trials of work.
On the Channel
Mar 28, 2018 — A touchstone of contemporary independent cinema since its release in 2007, Frownland makes its debut on the Criterion Channel this week. Here’s an excerpt from a new conversation with director Ronald Bronstein.
Jul 11, 2017 — A forged note brings chaos and corruption to the lives of everyone it touches in Robert Bresson’s devastating final film.
Dec 4, 2015 — We were touched by the announcement that the 2015 New York Film Critics Circle awards had chosen to honor our late, beloved cofounder William Becker with a special award for him and Janus Films.
Jan 28, 2015 — Canadian filmmaker Atom Egoyan has directed fourteen features, including The Adjuster (1991), Exotica (1994), The Sweet Hereafter (1997), Ararat (2002), and, most recently, The Captive (2014). He writes, “Rather than a top ten, these are ten films with which I...
Apr 24, 2014 — James Schamus is the former CEO of Focus Features; the producer of, among other films, Ride with the Devil (1999) and Brokeback Mountain (2005); the screenwriter and producer of The Ice Storm (1997); and a professor of professional practice at...
Jul 19, 2011 — Comedians, writers, and producers Robert Ben Garant and Tom Lennon split their duties in selecting their favorite titles from the collection: the first five are from Lennon, the last are from Garant. Best known for their work on The State...
Essays
Oct 6, 2008 — It is pretty much a convention of the hard-boiled gangster picture that most, if not all, of the principal characters wind up dead by the final shot. So it ought not constitute a “spoiler” to note that Jean-Pierre Melville’s Le...
Jan 17, 2005 — Along with Touchez pas au grisbi and Le Trou, Casque d’or is now widely recognized as the summit of Jacques Becker’s achievement as a filmmaker.