The Criterion Collection
Jun 24, 2014 — In 1964, Richard Lester harnessed the Beatles’ exploding superstardom for a giddy day-in-the-life pop masterpiece.
Jun 17, 2014 — The brutal lessons of Vietnam remained in America’s national consciousness for a generation. September 11 gave us collective amnesia, and they’ve had to be learned again.
FYI
Jun 13, 2014 — Last November, when we announced that we would start releasing dual-format editions, we hoped that we had found an alternative that would address our concerns about packaging costs across two formats, while guaranteeing that both DVD and Blu-ray customers would...
Apr 24, 2014 — James Schamus is the former CEO of Focus Features; the producer of, among other films, Ride with the Devil (1999) and Brokeback Mountain (2005); the screenwriter and producer of The Ice Storm (1997); and a professor of professional practice at...
Jan 31, 2014 — Tim Forbes is chairman of Forbes Digital and a former independent producer and screenwriter. He writes: “At the Brown Film Society in the early 1970s, we ran about twenty different movies a week, showing everything then available, from the lowliest...
Jan 23, 2014 — Stella Mozgawa is the drummer for the critically acclaimed Los Angeles band Warpaint, whose albums include 2010’s The Fool and 2014’s Warpaint. She says, “Here’s a list of the movies that have disassembled every notion I have of cinema.”Photo by...
Criterion Designs
Jan 22, 2014 — When it came time to assemble the Criterion release of It’s a Mad, Mad, Mad, Mad World, using Jack’s classic art was a no-brainer, and we were thrilled to find the man himself willing to revisit the film and provide...
Jan 21, 2014 — Bigger is better in Stanley Kramer’s crazily crammed slapstick epic, a timeless showcase for comedy genius.
Dec 18, 2013 — South Korean filmmaker Bong Joon-ho is the director of The Host (2006), Mother (2009), and Snowpiercer (2013). We interviewed him for our release of the classic South Korean film The Housemaid, available in the World Cinema Project box set. After...
Dec 10, 2013 — Djibril Diop Mambety’s Senegalese masterwork is remarkable for both its technical audacity and its postcolonialist expressionism.