A Misappropriated Turkey

Feb 18, 2015 — Don’t Look Now is many things: terrifying, poignant, mysterious, sexy, tragic. That all these disparate qualities are woven together so seamlessly is partly a miracle of cutting, so one must give proper credit to the film’s editor, Graeme Clifford. In...

Feb 4, 2015 — Isabelle Huppert was a rising star when Jean-Luc Godard cast her in the part of prostitute Isabelle Rivière in his 1980 film Every Man for Himself. In this excerpt from a new interview with Huppert on our release of the...

Feb 3, 2015 — Jean-Luc Godard returned to the character-driven intensity of his earlier films with this satirical but serious-minded take on men, women, and money.

Feb 2, 2015 — Our release of the spellbinding La Ciénaga marks not only the brilliant Lucrecia Martel’s entrance into the Criterion Collection but also our first title from the New Argentine Cinema. To get a better idea of the importance and finer aesthetic...

Jan 22, 2015 — Repertory PicksOf all the colorful characters in Robert Altman’s Nashville, the funniest and perhaps most maddening is Opal, the British reporter who claims to be covering the country music capital for the BBC and who always seems to be where...

Jan 20, 2015 — Here he is: the real, unreal Guy Maddin, in his phantasmagorical, polymathic stew of sex, memory, and dreams.

Jan 14, 2015 — The writer remembers two New York film figures.

Jan 14, 2015 — Legendary German-born cinematographer Michael Ballhaus (Broadcast News, The Last Temptation of Christ, Goodfellas) broke through in film working with Rainer Werner Fassbinder. After shooting Whity and Beware of a Holy Whore for the filmmaker, Ballhaus was enlisted to visualize The...

Jan 13, 2015 — Rainer Werner Fassbinder’s characters play an endlessly layered game of dress-up in this tale of sadomasochistic love.

Jan 12, 2015 — The author remembers the late filmmaker.