The Criterion Collection
Jul 24, 2012 — Trained as a musician, Jean Grémillon became one of French cinema’s most lyrical artists. His most beloved films were made during World War II.
Essays
Aug 31, 2011 — City symphony or spa burlesque? Polemic or caprice? From the outset, even in his manifesto lecture “Towards a Social Cinema,” delivered to the Groupement des Spectateurs d’Avant-Garde at Paris’s Le Vieux-Colombier before what was only the second public screening of À propos...
Jan 22, 2007 — Spencer Gordon Bennet’s eclectic science fiction–adventure movie bundles a serious patriotic message within its retelling of the Odysseus myth.
Sep 23, 2002 — Anticipating reality TV, Rémy Belvaux’s faux cinema verité satire follows a film crew documenting a mass murderer’s rampage.
Essays
Nov 8, 1999 — In The Third Man—probably the greatest British thriller of the postwar era—director Carol Reed and screenwriter Graham Greene set a fable of moral corruption in a world of near-Byzantine visual complexity: the streets and ruins of occupied Vienna. It is...
Aug 25, 2026 — James Gray’s extraordinary debut feature is a painstakingly distilled tale of crime and family dysfunction, captured with a merciless gaze and a sharp attention to idiosyncratic detail.
The Daily
Jul 17, 2026 — Some early reviews raise a few objections, but for the most part, Nolan is wowing critics with his grandest vision yet.
Mar 24, 2026 — In this true-crime epic, Martin Scorsese combines his career-long exploration of amoral gangsterism with a sobering meditation on what it means to live on American soil.
Essays
Nov 18, 2025 — This tale of paranoia and romantic jealousy slyly combines the conventions of popular Mexican filmmaking with the surrealist sensibility that made its director, Luis Buñuel, a legendary figure in his native Spain.
Aug 26, 2025 — Zeinabu irene Davis’s sole narrative feature is a vision of the past as it might have been, as well as an exploration of how history becomes a part of the everyday rhythms of Black life.