The Criterion Collection
Geoffrey O’Brien’s books include The Phantom Empire; Sonata for Jukebox; The Fall of the House of Walworth; Stolen Glimpses, Captive Shadows: Writing on Film, 2002–2012; Where Did Poetry Come From: Some Early Encounters; and Arabian Nights of 1934.
Glenn Kenny writes film reviews for the New York Times and RogerEbert.com, and has contributed to the Criterion Collection website. He is the author of Made Men: The Story of “Goodfellas” (Hanover Square Press, 2020).
Thomas Rimer is a professor of Japanese Literature and Theater at the University of Pittsburgh and has been published widely on various aspects of Japanese theater, literature, and cultural history.
Nick Pinkerton is a Cincinnati-born, Brooklyn-based writer focused on moving-image-based art. His writing has appeared in Film Comment, Sight & Sound, Artforum, frieze, Reverse Shot, 4Columns, Harper’s, the Baffler, and the Village Voice, among other publications
Neil Sinyard is emeritus professor of film studies at the University of Hull in the UK. He has published twenty-five books on the cinema, including studies of such directors as Billy Wilder, William Wyler, Alfred Hitchcock, Fred Zinnemann, Steven Spielberg,...
Filmmaker Richard Linklater originally presented this tribute at the 2000 South by Southwest in Austin, TX, as an introduction to a special screening of Two-Lane Blacktop, part of a retrospective of Hellman's work that Linklater helped coordinate. It also appeared...
Ian Buruma writes about a broad range of political and cultural subjects for major publications, most frequently the New York Review of Books. He teaches at Bard College. His books include Behind the Mask, God’s Dust, Playing the Game, The...
Joan Acocella is the dance critic of the New Yorker. Among her books are Mark Morris and Twenty-eight Artists and Two Saints, a collection of essays.