The Criterion Collection
Essays
Feb 12, 2007 — The trailblazing career of the extraordinary singer, actor, and activist was pivotal to the emergence of a black film aesthetic and, by extension, an African-American cultural identity.
Essays
Jun 3, 2002 — Ronald Neame’s character study examines a talented, eccentric artist, who is also difficult, conniving, uncouth, and thoroughly disreputable.
Essays
Jan 13, 1992 — Few films have had as exalted, or as tumultuous, a history as The Devil and Daniel Webster. Directed and produced by William Dieterle at RKO after his triumphant Hunchback of Notre Dame, The Devil and Daniel Webster is the finest...
The Daily
Jun 11, 2026 — An adaptation of Night and Day follows two new reimaginings of Mrs. Dalloway.
May 27, 2026 — When Joachim Trier made his debut in 2006 with the film Reprise, I felt as if a veil had been lifted. There was nothing wrong with Norwegian cinema before Trier’s arrival, but it always seemed to be about someone else,...
Oct 28, 2025 — The first of Arturo Ripstein’s films to receive wider international acclaim, this blood-soaked, surrealist vision of amour fou harks back to the director’s roots as an admirer and protégé of Luis Buñuel.
The Daily
Sep 30, 2025 — Three films of wonder and wandering: Mare’s Nest, Dry Leaf, and Drunken Noodles.
The Daily
Sep 17, 2025 — Godard, Malle, Duvivier . . . L’Alliance New York presents seven recent restorations.
The Daily
Jul 2, 2025 — Pavements and Videoheaven take us back thirty-odd years, but neither film is merely a nostalgia trip.
May 27, 2025 — A landmark of independent cinema, Charles Burnett’s debut feature captures daily life in Watts, Los Angeles, with a depth and precision that evokes the history of Black American music.