The Criterion Collection
Sneak Peeks
May 27, 2015 — You may not know his name, but Raoul Coutard is a crucial figure in modern cinema. A war photographer turned cinematographer, he was the camera man of choice for many directors of the French New Wave, shooting an astonishing array...
Sneak Peeks
May 18, 2015 — Director and movie maven extraordinaire Peter Bogdanovich sat down with us in 2009 to talk about Leo McCarey’s masterful Hollywood weepie Make Way for Tomorrow. Since we released the film on Blu-ray for the first time last week, we thought...
Sneak Peeks
Apr 22, 2015 — Knowing Martin Scorsese was a fan of Jean Renoir’s India-set The River, we asked him to record an introduction when we first released it in 2004 (since then, he even included it in his Criterion Top 10, calling it “a...
Apr 20, 2015 — "Afilm about India without elephants and tiger hunts”—this was how Jean Renoir described his objective in making The River. Guided by Rumer Godden’s autobiographical novel, he rejected the India of exotic action and spectacle to make a meditative, almost mystical...
Mar 11, 2015 — Critics love to talk about modern auteurs in terms of their influences, and François Truffaut has never been an exception. For our release of The Soft Skin, out next week in Blu-ray and DVD editions, critic and filmmaker Kent Jones...
Features
Dec 28, 2014 — In person, Sam was a blunt-nosed nonconformist, small of stature but forever leading with his Cuban cigar.
Nov 10, 2014 — Monte Hellman’s existential westerns take Beckett to the desert.
Interviews
Oct 16, 2014 — This past August, on the occasion of Volker Schlöndorff’s being selected for a Silver Medallion award by the Telluride Film Festival, Criterion’s Peter Becker talked with the German filmmaker about his long career. A short version of the conversation was...
Oct 1, 2014 — In the hands of director Serge Bourguignon, a potentially sensationalistic story becomes a poetic and complex investigation of love and pain.
Sep 23, 2014 — In director Jack Clayton’s hands, Henry James’s tale of the sinister and sensual things hiding behind Victorian decorum becomes one of the screen’s great works of terror.