The Ex

Dec 13, 2017 — In today’s round, we’re looking not only at the most recent best-of-2017 lists and awards but also new additions to the National Film Registry, the Black List, and more. We begin with Film Comment, where contributors and staff have voted...

Dec 12, 2017 — Alexander Payne skewers the absurdities of American politics in this tale of a high-school presidential campaign gone ugly.

Nov 13, 2017 — Angela Watercutter’s interview with Steven Soderbergh is actually a sidebar to her piece for Wired on the making of Mosaic—not the browser that put the World Wide Web in the global spotlight back in 1993, but the iOS app that...

Nov 4, 2017 — With four each, Viktor Jakovleski’s Brimstone & Glory (image above), Matthew Heineman’s City of Ghosts, and Yance Ford’s Strong Island lead the nominations for the 2018 Cinema Eye Honors, founded in 2007 to “recognize excellence in artistry and craft in...

Oct 4, 2017 — Starting today, and on through October 15, the sixty-first BFI London Film Festival will present over 240 features—premieres, revivals, and hand-picked highlights from the year’s festival calendar so far—and nearly 130 short films. Our guide here won’t—can’t—be complete, but with...

Sep 29, 2017 — During this month’s Toronto International Film Festival, we began seeing reviews and interviews that would eventually make their way into the new issue of Cinema Scope: Adam Nayman’s conversation with Denis Côté about A Skin So Soft, for example, and...

Sep 19, 2017 — Film Comment editor Nicolas Rapold has posted his overview of this year’s Venice International Film Festival, and a “Telluride 2017 Journal” from the Film Society of Lincoln Center’s Eugene Hernandez is up there, too. But FC’s gone all out on...

Sep 10, 2017 — Guillermo del Toro’s The Shape of Water has won the Golden Lion at this year’s Venice International Film Festival. We’ve been gathering reviews here, and we’ll carry on, too, as the film screens in Toronto throughout the coming week.This year’s...

Sep 8, 2017 — “A complex and layered work, [Jonas Mekas’s] Lost Lost Lost [1976]—especially its first hour—is among cinema’s most poignant accounts of the immigrant experience,” writes Girish Shambu. “Historically, the best immigration cinema stages, in an astonishing multitude of ways, a divided...

Sep 7, 2017 — This year’s Toronto International Film Festival runs from September 7 through 17. Here’s an overview of what the critics are saying; links from the titles will take you to roundups of first reviews, interviews, trailers, clips, the works.Gala PresentationsDee Rees’s...