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Summer Days

Oct 25, 2011 The central theme of the film is that the life force inherent in this music is always with us, but you are an idiot if you want to turn on the wayback machine and relive these days.

May 20, 2010 Driven to Destruction Nagisa Oshima was a destructive force in Japanese cinema—and he wouldn’t have had it any other way. Intent on exploding taboos and jabbing the eye of the status quo, he created films that leave us with a...

Sep 22, 2009 Something very heavy happened at Monterey last weekend. Those very odd three days began in Friday’s cool gray air as the first of the crowd began to circle through the booths of the fairground. The only word for it then...

Aug 27, 2008 A few months back, after we announced our upcoming release of Salò, or The 120 Days of Sodom, we received a note from a viewer asking us which version of the film we would be releasing, noting that a 2001...

Holding Our Own

The Daily

Sep 4, 2026 Celebrating “reticent auteurs,” a unique London distributor, and the work of Satyajit Ray and Richard Linklater.

Aug 19, 2026 This month’s highlights include a retrospective dedicated to the always-provocative Abel Ferrara, the classic series Neon Genesis Evangelion, and a collection of high-energy tales of female rockers.

Jul 24, 2026 September will bring new films from Lee Chang-dong, Julia Loktev, Barbara Kopple, Mariano Llinás, and Takashi Miike.

Jul 1, 2026 Film at Lincoln Center rolls out a series of ten films probing the secrets and suspicions of a nation that seems perpetually on edge.

Jun 1, 2026 The world’s most desolate film festival expands to nearly a hundred theaters in seventy-three cities.

May 26, 2026 Women’s hands dance over typewriter keys. The percussive racket they make, like the tapping of an unruly chorus line, takes the place of music during the opening credits of The Office Wife (1930), which appear over a montage of female...

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