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Stranger’s Return

Mar 17, 2010 1. A Park—Night A man aflame is running directly toward camera. This image, which comes from Nicholas Ray’s initial treatment for Rebel Without a Cause, might stand at the head of almost any of Ray’s movies, since it so clearly...

Oct 22, 2007 Through the alcohol-induced convulsive movements of Firmin, a fallen diplomat, John Huston puts what is perhaps his own fear of decline, of departure without making peace with one’s loved ones, on the screen.

Sep 3, 2007 Very few movies count as truly significant milestones in the development of American “indie” cinema during the last quarter of the twentieth century. They include Eraserhead (1977) and Return of the Secaucus Seven (1979), as early trailblazers; She’s Gotta Have...

Jul 9, 2007 Set almost entirely in a single house, Hiroshi Teshigahara’s eloquent collaboration with writer Kobo Abe shows both his powerful staging and his love of fine, almost microscopic, detail.

Oct 24, 2005 Kihachi Okamoto’s subversion of the samurai movie possesses the same gritty, stark realism with regard to imagery and body count, yet the tone is decidedly comic.

Oct 24, 2005 Mirroring changes in awareness, politics, and lifestyle occurring across the globe, the chanbara (or Japanese swordplay film) underwent a significant metamorphosis in the early 1960s, acquiring a decidedly more radical spirit. Seemingly without warning, groundbreaking cinematic styles from beyond the...

Sep 10, 2024 Andrew Haigh explores loss and queer loneliness in this exquisite, twilit tangle of lives and loves separated by space, time, and personal defenses.

Aug 20, 2026 A retrospective spotlights the writer’s collaborations with Carol Reed, Fritz Lang, John Ford, Alberto Cavalcanti, and George Cukor.

Aug 12, 2026 Tregenza has made his sixth feature “fast and hard and beautiful,” and it’s premiering in New York before heading to Los Angeles.

Jun 3, 2026 This year’s lineup features lots of music, another De Niro and Scorsese reunion, and an AI-generated feature.

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