The Criterion Collection
The Daily
Mar 20, 2020 — Also this week: Filmmaker and filmmakers make their work freely accessible, an appreciation of Barbara Hammer, and an interview with Jonathan Rosenbaum.
Apr 19, 2019 — In this excerpt from an interview on the edition of Diamonds of the Night, film programmer Irena Kovarova talks about the work of one of director Jan Němec’s key collaborators, Ester Krumbachová.
The Daily
Mar 29, 2019 — Fresh assessments of the work of Chris Marker and Stanley Kubrick, an interview with Kent Jones, and that stellar year for American cinema, 1999.
Nov 22, 2018 — A costume designer can make characters come alive. In this new interview, two historians explore how Orry-Kelly’s gowns helped Marilyn Monroe embody one of her finest roles.
Dec 21, 2017 — In this excerpt from an interview on our edition of The Piano Teacher, the Austrian director discusses the mechanics of one of the film’s most shocking sequences.
On the Channel
Jun 26, 2017 — The Pulitzer Prize–winning author of Interpreter of Maladies speaks about her deeply personal connection to Indian cinema in this Criterion Channel exclusive interview.
Nov 19, 2008 — Steve Buscemi is an actor who has appeared in such films as Mystery Train, Fargo, Reservoir Dogs, and Armageddon. He also also directed such films as Trees Lounge, Animal Factory, and Interview.
Ife Olujobi is a Brooklyn-based playwright and editor. Their play Jordans was produced at the Public Theater and won a 2025 Obie Award for playwriting. She has been an artist-in-residence at Ars Nova, Sundance Institute Theatre Lab, Ensemble Studio Theater,...
David Forgacs is Professor of Contemporary Italian Studies at New York University. His recent publications include a history of violence in modern Italy. His other contributions for the Criterion Collection include a filmed interview on Miracle in Milan (Vittorio De...
Hillary Weston is staff writer and social media director at the Criterion Collection. Her work has appeared in Film Quarterly, BOMB, Interview, and BlackBook.