It doesn’t get much more iconic than Marilyn Monroe in Some Like It Hot, her Sugar Kane Kowalczyk purring out sultry songs as the lead singer of Sweet Sue and Her Society Syncopators, and between shows coquettishly confiding in Tony Curtis and Jack Lemmon’s drag-disguised gate-crashers in the all-female band. Her acting in Billy Wilder’s 1920s-set classic is a model of seductive poise and loopy wit, qualities that are boldly accentuated by the blonde bombshell’s eye-catching outfits. In the above video, a clip from a supplement on our packed new edition of Some Like It Hot, costume designer and historian Deborah Nadoolman Landis and costume historian and archivist Larry McQueen pay tribute to Hollywood designer Orry-Kelly’s Oscar-winning dresses for the film. As Landis and McQueen note here, these wonderful garments, risqué yet innocent numbers that hugged Monroe’s famous figure in sequins, crystal dangles, and other dazzling embellishments, gestured toward the film’s flapper-era setting while also deliberately bursting the seams of period accuracy.
Why Swing Time Is the Greatest of All Dance Films
In this excerpt from an interview on our new edition of the Astaire-Rogers classic, dance critic Brian Seibert explains how beautifully and cleverly the film integrates dance into the structure of a romantic-comedy plot.
A Moody Meditation from the Set of Blue Velvet
In a rarely seen documentary about David Lynch’s 1986 masterpiece, the director and his star, Isabella Rossellini, give their candid impressions about the creative journey they’ve embarked on together.