Tony Rayns is a London-based critic with a special interest in the film cultures of East Asia. He has been awarded the Kawakita Prize (2004) and the Foreign Ministry of Japan’s Commendation (2008) for services to Japanese cinema. His books...

Howard Hampton has written for Film Comment, Artforum, and many other publications. He is the author of Born in Flames: Termite Dreams, Dialectical Fairy Tales, and Pop Apocalypses.

Patrick McGrath is the author of three story collections and ten novels, most recently Last Days in Cleaver Square.

David Kalat is a film historian who has been in love with the fantastique since his misspent childhood. He has written several books, including The Strange Case of Dr. Mabuse and, most recently, Too Funny for Words: A Contrarian History...

Michael Wood teaches English and comparative literature at Princeton University. He is the author of America in the Movies and a study of Luis Buñuel’s Belle de jour. His most recent book is Marcel Proust (Oxford University Press, 2023).

Alan Williams is the author of Republic of Images: A History of French Filmmaking, and is a professor of French at Rutgers University.

Ed Halter is a founder and director of Light Industry, a venue for film and electronic art in Brooklyn, and teaches as Critic in Residence at Bard College. His writing has appeared in 4Columns, Artforum, the Village Voice, and elsewhere.

Fred Camper is an artist who makes digital prints, mostly photo-based, and has for many decades been a writer and lecturer on film and art. He lives in Chicago, where he teaches at Columbia College Chicago and the School of...

Born and raised in London, David Thomson is the author of A Biographical Dictionary of Film and, most recently, The Fatal Alliance: A Century of War on Film, among many other books.

Joshua Clover’s most recent book is Riot.Strike.Riot: The New Era of Uprisings (Verso), about (among other things) the way the character of political struggle changed around the time of Straw Dogs, and why. This piece was originally written for the...

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