Author Spotlight

Michael Wood

Michael Wood teaches English and comparative literature at Princeton. He is the author of America in the Movies and a study of Luis Buñuel’s Belle de jour. His most recent book is Literature and the Taste of Knowledge.

6 Results
Fellini Satyricon: Not Just Friends

Federico Fellini’s fragmentary and picturesque tale of death and debauchery in ancient Rome is a surreal take on reality.

By Michael Wood

The Great Dictator: The Joker and the Madman
In 1938, Charles Chaplin deposited with the Library of Congress a script for a film to be called The Dictator, and told the press it was a project in which he would play a double role. He clearly had Hitler in mind, and a headline in the English ne…

By Michael Wood

Remembrance of Things Past: The Leopard
Giuseppe di Lampedusa’s novel The Leopard had a hard time finding a publisher but was well-known by the time Luchino Visconti began working on his film of the same name. The book appeared in Italy in 1958 and was subsequently translated into many l…

By Michael Wood

Simon of the Desert: Damned If You Do . . .
Agood friend of Luis Buñuel’s suggested in conversation that the director was likely to be damned twice: once for being an atheist, and once for joking about it on his deathbed. The friend, a priest, certainly knew what he was talking about, but I…

By Michael Wood

Missing: “Who Would Care About Us If We Disappeared?”

Costa-Gavras’s film pointedly raised issues that for many people were only dimly in the air at the time, and which have become more and more unavoidable in recent years, as the United States has openly assumed its imperial role.

By Michael Wood

Viridiana: The Human Comedy

Luis Buñuel shot Viridiana in the early months of 1961, in his native Spain. It was the first film he had made there since his departure for the United States and Mexico in 1939, and he was much criticized for embarking on this return at a time when

By Michael Wood