2 Results
Europe ’51: The Greatest of These . . .
Roberto Rossellini’s tale of modern sainthood demonstrates the importance of opening oneself to the wider world.
By Brakhage: The Act of Seeing . . .
In the films of Stan Brakhage, the viewer’s role must be reimagined: from a passive receiver to one who meets the film halfway, actively plumbing the depths of its imagery and the various themes and ideas suggested by its subject matter.