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The Notebook

May 20, 2019 Setting the Haiti of 1962 next to present-day Paris, Bonello weighs the impact of French colonialism.

Oct 24, 2025 We’re revisiting work by Ken Russell, Chantal Akerman, Billy Wilder, and Abel Ferrara.

Parallax Views

The Daily

Oct 10, 2025 This week: Essays on Daniel Day-Lewis, Sophie Fillières, and Miguel Gomes, a talk with Wes Anderson, and an AI experiment.

Sep 3, 2019 Early reviews of Gray’s space odyssey are strong—and even stronger for Brad Pitt.

May 25, 2017 “Sergei Loznitsa’s documentaries are conceived as silent commentary,” begins Jay Weissberg in Variety. “His rigorously edited, coolly composed shots contain all the information needed for viewers to feel the weight of his argument. By contrast, his fiction films (My Joy,...

Sep 15, 2020 When Claire Denis’s Beau travail (1999) first appeared on American screens, the critic Stephen Holden used a striking phrase to capture its embracing of bold opposites: “voluptuous austerity.” His characterization, widely quoted since, illuminates the film on many levels, and...

Wrapping 2025

The Daily

Dec 23, 2025 Head into the holidays with roundtables to watch, articles to read, and podcasts to listen to.

Aug 6, 2025 The festival selects thirty-four features including world premieres and the best from Sundance, Berlin, Cannes, Venice, and Toronto.

Hope and Gratitude

The Daily

Jan 3, 2022 Both as an art and a business, cinema faces serious challenges, but the past year offers reasons for optimism.

May 21, 2019 Malick’s rendering of the true story of a conscientious objector has split the critics.

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