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The Music Man

Apr 8, 2016 — Ten years ago, with the release of his debut film Reprise, a spirited drama about two young aspiring novelists, Norwegian filmmaker Joachim Trier emerged as one of the most interesting new voices in European cinema.

Mar 3, 2016 — By the time Charlie Chaplin began work on what would be his first feature-length film, in 1919, he had been sneaking up to the longer format for some time.

Feb 18, 2016 — The Kid marked Charlie Chaplin’s wholehearted embrace of sentiment, which he intertwined with the slapstick he was known for to enrich his Tramp character and carry the narrative of feature-length directorial debut.

Jun 17, 2013 — The author recounts the story of his friendship with the great filmmaker.

Jun 13, 1988 — G. W. Pabst lends humanity and depth to his adaptation of a play by Bertolt Brecht—one of the last great works of German cinema's richest period.

Oct 15, 2026 — Channel Calendars This November, discover the link between pop style and turn-of-the-century cinema’s exuberant visual innovation with From MTV to Hollywood, a collection gathering work from directors who honed their imaginations making music videos before unleashing their talents on the...

Oct 13, 2026 — Blending elements of psychological thriller, social satire, and psychedelic film, Jerzy Skolimowski’s Cannes-award-winning classic uses its audacious sound design to evoke the terror of English civilization.

Sep 23, 2026 — Kleber Mendonça Filho explores the elisions of history and memory in this splendidly polymorphous thriller about a man on the run in 1977 Brazil.

Aug 7, 2026 — The members of this influential leftist collective created a formally adventurous body of work that examined the nation’s tumultuous history through a postcolonial lens.

Jun 17, 2026 — Channel Calendars This month on the Criterion Channel, celebrate the hundredth birthday of the great Harry Dean Stanton, delight in the twists and thrills of our Murderous Melodramas collection, or binge the surreal cult-favorite TV series The Prisoner. There’s so...

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