Me You Them

Oct 14, 2008 — Okay, quiz time. What does the music video for Justin Timberlake’s “SexyBack” have to do with the Criterion Collection? Give up? Well, it was shot by none other than ace director of photography Christopher Doyle, whose work is being brought...

Nov 12, 2007 — What is left of Berlin Alexanderplatz, this endless canon of the sublime and the trivial, is thus a perpetuum mobile of the human dance of love and death.

May 21, 2007 — Carol Reed’s masterpiece dives deep into the life and mind of screenwriter Graham Greene, one of Britain’s greatest postwar novelist.

Oct 16, 2006 — Lodge Kerrigan’s grim, lucid dispatch from the murky depths of madness situates itself inside the tormented consciousness of a schizophrenic.

Aug 14, 2006 — La collectionneuse is a strong, sensuously lush, deceptively slight film, a Riviera fruit with a bitter, uncompromising aftertaste. In retrospect, it is both classically Rohmeresque and atypical, as befits a film in which the director was still finding his way....

May 28, 2013 — For Haskell Wexler, the director of Medium Cool, and the Oscar-winning cinematographer of Who’s Afraid of Virginia Woolf? and Bound for Glory, writing about his ten favorite Criterion films became a trip down memory lane. His responses, made up of...

Nov 11, 2002 — Continued from Anatomy of a Love Festival - Part One The real turn-on, though, was the music—twenty-two hours of it, divided into solid chunks that usually ran more than thirty minutes. Friday night was the epitome of what San Francisco...

Jul 13, 2022 — Martin Scorsese’s long-gestating boxing opus—one of the last films on which he enjoyed unequivocal studio support—emerged from a Hollywood in transition.

Oct 3, 2017 — In the print edition of the current issue of Film Comment, we find Luca Guadagnino saying that “the true generator of the movies I try to make is Jean Renoir, and A Day in the Country is really the alpha...

Dec 7, 2010 — In 1981, it seemed to me that a new era of fantastic cinema was upon us.