Apr 28, 2020 — “Fuck! Fuck you fuck me fuck old people fuck children fuck peace! Fuck peace.”Miranda July shouts at her car’s steering wheel. With a black Sharpie, she scrawls FUCK in huge letters on the inside of her windshield. She drives. Sunlight...

Aug 1, 2023 — “Do you want me to turn them loose?” This is what cowboy Perce asks a sad-eyed Roslyn in John Huston’s elegiac The Misfits (1961), and that one question about untying the mustangs he and fellow wranglers Gay (Clark Gable) and...

May 26, 2016 — During the conductor and composer’s visit—a day after he’d led the New York Philharmonic in a live orchestral performance of the score to City Lights—we talked about his love for early cinema, the delicate process of restoring Chaplin’s music, and...

Jul 19, 2012 — I want to start with my favorite story about Carole Lombard. She began her career in Hollywood in her teens and, as we know, was very attractive. She found herself hounded by the wolves of Tinseltown but came up with...

May 27, 2020 — “A filmmaker shows what his career will be in his first 150 feet of film,” François Truffaut once wrote. He was talking about Jean Vigo at the time, but he might as well have been talking about Martin Scorsese, whose...

Nov 19, 2018 — Billy Wilder proves himself one of cinema’s greatest pleasure seekers in this irresistible confection, a landmark of Hollywood comedy.

May 10, 2016 — Nicholas Ray’s In a Lonely Place imbues the conventions of film noir with a subtle, tense vulnerability that lends a naturalistic weight to the film’s powerful emotional impact.

Sep 27, 2017 — Filmmaker Allison Anders recalls a story about her time working with the late Harry Dean Stanton on the set of Paris, Texas.

Nov 23, 2018 — The work of James Agee (1909–1955) remains one of the touchstones of American movie criticism. An extraordinarily versatile writer, he won acclaim as a novelist, a poet, and a screenwriter (his scripts for The African Queen and The Night of the...

Jun 14, 2019 — Starting this weekend, Janus Films is putting Jennie Livingston’s extraordinary snapshot of Harlem’s drag balls of the 1980s back on the big screen.