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Ik-Film

Feb 18, 2013 In our release of On the Waterfront, out today on Blu-ray and DVD, we offer Elia Kazan’s film in a trio of aspect ratios. Our official presentation of the movie is in 1.66:1, but you can also watch it in...

Feb 18, 2013 Performances Hiroshima mon amour (1959) is a groundbreaking portrait of a world come undone. Even more memorably, thanks to the brilliant precision of Emmanuelle Riva’s performance, it’s a study of a woman unraveling. In this first leading role in an...

Feb 14, 2013 David Bordwell and Kristin Thompson’s textbook Film Art, a cornerstone of the cinema studies discipline, was first published in 1979 and is now in a tenth edition. Over the years, some sections have been taken out, either to make room...

Feb 12, 2013 The Dardenne brothers return to the streets of Seraing for a typically humane and suspenseful story of personal redemption.

Feb 11, 2013 The movies of the Belgian filmmaking duo Jean-Pierre and Luc Dardenne are at once studies in propulsive forward motion and moral tales that plumb the depths of their troubled characters with jittery concern. In works like La promesse, Rosetta, and...

Feb 1, 2013 Wim Wenders wanted his documentary tribute to the legendary choreographer Pina Bausch to be unlike any other dance movie ever made. He accomplished this by shooting it in 3D, resulting in a vivid, sometimes startling sensory experience. In this illuminating...

Jan 30, 2013 The improvisational arts of filmmaking, jazz, and chili.

Jan 22, 2013 With his unique use of new 3D technology, Wim Wenders found an unprecedented way for the movie camera to capture bodies in space.

A Devilish Good Time

In Theaters

Jan 17, 2013 Repertory PicksThe Brattle Theatre in Cambridge is heading south this month—way south. The legendary repertory house is kicking off a series called Dead of Winter: Satan on Screen, which ranges from comedy to horror to drama in its selection of...

Jan 16, 2013 Both sparkling and suspenseful, Alfred Hitchcock’s benchmark thriller is the perfect getaway, and it set the scene for much of the master’s later work.

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