The Brazilwood Man

Feb 5, 2018 — In this excerpt from a supplement on our release of G. W. Pabst’s Kameradschaft, scholar Hermann Barth explores the painstaking work of set designer Ernő Metzner.

Feb 2, 2018 — Opening today at the Film Society of Lincoln Center, Iranian master Abbas Kiarostami’s final film, 24 Frames, is a subtle meditation on time and perception.

Feb 1, 2018 — This Saturday, the Pickford Film Center in Washington presents a screening of Edward Yang’s four-hour coming-of-age epic A Brighter Summer Day.

Feb 1, 2018 — Jessica Morgan is one of the co-creators of the popular celebrity fashion blog Go Fug Yourself, which has chronicled the good, the bad, and the fugly of red carpet fashion since 2004. Along with her writing partner Heather Cocks, she...

Feb 1, 2018 — G. W. Pabst’s breathlessly paced reimagining of a mine disaster makes an urgent plea for international cooperation in the post–World War I era.

Jan 25, 2018 — One of the pivotal works of the Direct Cinema movement, the Maysles brothers and Charlotte Zwerin’s documentary Salesman plays in a new restoration at Manhattan’s Metrograph.

Jan 22, 2018 — Casting director Kahleen Crawford and screenwriter Paul Laverty, both regular collaborators of Ken Loach’s, outline the unique casting process they’ve developed in lockstep with the director.

Jan 16, 2018 — The ravages of poverty in contemporary Britain are translated with vivid authenticity in this drama from celebrated filmmaker Ken Loach.

Jan 11, 2018 — Watch Terry Gilliam’s 1985 future-shock fantasia Brazil, playing tonight at the Honolulu Museum of Art.

Jan 4, 2018 — For his period epic Barry Lyndon, Stanley Kubrick insisted on shooting primarily with candlelight. Two of his collaborators discuss the challenges presented by this approach and the solutions they arrived at on set.