With his absorbing historical drama Barry Lyndon (1975)—an adaptation of a William Makepeace Thackeray novel that archly chronicles the fortunes of a scheming social climber (Ryan O’Neal) in eighteenth-century Europe—the famously exacting Stanley Kubrick set out to vividly evoke a vanished past. To create the authentic look of the film, which went on to win multiple technical Oscars, the filmmaker drew inspiration from the landscape painting and portraiture of artists of the period such as Thomas Gainsborough and William Hogarth, and went to unprecedented lengths during production. In particular, the film’s interior scenes—which Kubrick insisted on shooting primarily by candlelight—posed myriad challenges for cinematographer John Alcott and his team, necessitating not only the retrofitting of super-wide-aperture lenses but also various practical work-arounds on-set. In the clip above, taken from a supplemental program on our new edition of Barry Lyndon, focus puller Douglas Milsome and gaffer Lou Bogue recall the breath-shortening amount of oxygen consumed by the candles during shooting, and the crew’s eventual use of reflectors to amplify the illumination without also producing more heat and smoke.
A Subtler Side of the Hepburn-Grant Magic
Filmmaker and distributor Michael Schlesinger and critic Michael Sragow dive into the pleasures of Holiday, a romantic-comedy classic that has long stood in the shadow of The Philadelphia Story but has a poignancy all its own.
Wim Wenders Looks Back on the Digital Future He Predicted
From search engines to all-engrossing handheld devices, the technologies that the German director conjured for his 1991 opus Until the End of the World are now common features of contemporary life.
John Bailey Breaks Down a Tour de Force of Gothic Lighting
The veteran cinematographer takes a close look at the highly stylized and atmospheric lighting in one of the most pivotal scenes in pre-Code classic The Story of Temple Drake.
All About Mankiewicz
One of the most celebrated Hollywood writer-directors of his time, Joseph L. Mankiewicz offers a window into the way he sees his characters in this illuminating clip from an archival interview.