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Aug 22, 2014 — Through cinematography and editing, Bob Fosse made film pliable so that it could move to the rhythms of music and bodies in motion—so that it could dance. His 1979 masterpiece All That Jazz was his ultimate achievement in this regard....

Aug 21, 2014 — The Iranian-British Hossein Amini received an Academy Award nomination for his 1997 screenplay adaptation of Henry James’s The Wings of the Dove and wrote the screenplays for Jude (1995), The Four Feathers (2002), and Drive (2011). In 2014, he made...

Aug 20, 2014 — One of John Cassavetes’s loyal troupe of collaborators reminisces about working with the fearless filmmaker.

Aug 19, 2014 — Alfonso Cuaron, a filmmaker congenitally allergic to creative constriction, made his most liberated movie with this erotic, moving, often funny threesome tale.

Aug 19, 2014 — Gena Rowlands’s acting career spans seven decades of television and film, and she has collaborated with such directors as Woody Allen, Jim Jarmusch, and Mira Nair. But it is her work with her late husband, John Cassavetes, that best showcases...

Aug 18, 2014 — The director explains the inspiration for his provocative erotic comedy, and how he dove into it even before finishing his previous movie.

Aug 18, 2014 — The filmmaker and critic discuss the pleasures and provocations of the Spanish auteur’s work.

Aug 13, 2014 — Actors Gael García Bernal and Diego Luna sat down to talk to Criterion about their experiences making Y tu mamá también with director Alfonso Cuarón for our release of the 2001 film. In this clip, they discuss finding a chemistry...

Aug 12, 2014 — The emotional culmination of a brilliant career in film, John Cassavetes’s unruly masterpiece is an enigmatic character study and a direct investigation of the nature of love.

Aug 11, 2014 — In 1983, during the production of John Cassavetes’s Love Streams, journalist Michael Ventura was hired by Cannon Films executive Menahem Golan to make a promotional documentary about the company’s first Cassavetes picture. The result was the sixty-minute “I’m Almost Not...